Bathed in Gold

I always have fun painting a tipi, as it’s sort of a taboo subject for me. This one is only a few inches tall, and so seems quite allowable I think!

Autumn along the Missouri River can be spectacular when the cottonwoods transition from vital green to pure gold. This tipi was set up along the banks of the river, basking in the warm glow of reflected light.

“Bathed in Gold” is an oil painting, 20 x 20.

#tipi #landscapepainting #oilpainting #nativeamerican #missouririver #cottonwoods

Posted in Landscape, Native American, Out West Art Show & Sale, Waterscape

End of day palette

This is my palette, after a long day in the studio. It looks pretty clean and orderly! I’m working on a more graphic piece with defined colors, that’s why!

So is anyone else out there having trouble getting good, high res. images of your work? Lately, mine seem to be mushy and weird. I am losing the texture and clarity, and end up with this strange mushy look. It’s not a low resolution issue. Someone said it might be an iphoto problem?
Anyway, I have paintings to post, but am having trouble getting good images!

#gamblinpaint #oilpainting #fineart #paintpalette

Posted in My Studio

I Go to Nature to Be Soothed

I have about 10 paintings in the works now and not many finished, but this one is. I painted another of this same river at sunset a year ago, but the subject is compelling and I decided to do it again. (Sara, the composition is different, really!) My memories of this float on the Snake River still evoke such emotion. The last light coming through the trees in this beautiful country, the smell of the rich earth and the sound of the water were a magical combination. And, I was lucky enough to share this with special friends.

The title is from my heart. This painting is an oil, 16×20.

#landscape #waterscape #oilpainting #snakeriver #sunset

Posted in Landscape, Waterscape, Waterscape

Red Dog

The west was a wild place, and still can be! I’m guessing we’ve all heard the stories. Here, I’ve made up my own story, or at least part of it. You can fill in the details!

My model, Robert Culbertson, who I’ve painted quite a few times, runs a western art photo shoot in Kansas called American Frontier Productions. Check it out! He’s on FaceBook. Robert and many in his gang are great models!

Red Dog is an oil on board, 32 x 24.

#fineart #westernart #wildwest #portraitpainting #americanfrontierproductions #westernphotoshoot #cowboy

Posted in Figurative, Portrait, Western

An Early Breakfast

First, to blow off some steam, I have been fapped for the better part of two months. I know most of you don’t even know what that means. But, where we are, we have antiquated internet service with very little allotted band width usage – and no other options. It’s maddening, and so frustrating to try to really do anything on the internet! Just sayin’!

But back to why I’m here now, being on Nantucket for a week this fall was a visual overload. There was much to see that was so different from my home in Montana. And yet, what are the first few paintings I have done of that week? Still lifes! The light through Annie and Tim’s kitchen window in the morning was irresistible! (Actually, I do have a few Nantucket landscapes / waterscapes in the works as well!) Stay tuned.

This painting, “An Early Breakfast” is 12×16.

#nantucket #stilllife #fruitforbreakfast

Posted in Still Life

Portrait Society of America Competition Finalist!

How exciting! I was just informed that my painting “Mourning Dove” was selected as a Finalist in the “Outside the Box” category, in the 2017 National Members Only Competition! I am thrilled!

“Mourning dove” is 36″ x 24″ and is oil and gold leaf on a gessoed board.

Mourning Dove was the pen name of Christine Quintasket, an Interior Salish woman born in 1884 in Idaho. In 1904, she enrolled in the Fort Shaw Indian School, which was about 30 miles from Great Falls, Montana. In Montana, she witnessed the 1908 roundup of the last free-ranging bison herd, an event that had a profound effect on her. Soon thereafter, she began to develop the idea for a novel that combined traditional tribal culture with a romantic story, based around the epic buffalo roundup.

Her novel, Cogewea, the Half-Blood, (1927) was the first known published novel by a Native American woman. It explored the plight of the mixed blood (or “breed”), who lived in both white and Indian cultures. In the book, she described centuries-old traditions with the authority of her own first-hand knowledge and experiences.

#figurepaintng #oilpainting #portraitsocietyofamerica #nativeamerican #interiorsalishtribe #goldleafinart #americanwomenartists #portraitsocietyofamerica

Posted in Figurative, Native American, Portrait Society of America, Wildlife

Setting Sun

This was one of those paintings that makes the struggle worth it, at least for the moment! I was of course attracted to the wonderful affect of the sun setting behind the mountain here. This painting then became an exercise in using my palette knife, which was great fun!

“Setting Sun” is an oil on gessoed board, 12×16.

#landscapepainting #paletteknifepainting

Posted in Landscape, The mountains

Water Is Life

“Water is Life” is an oil on a round topped panel, 48 x 30. It has hand carved wooden stars that run along the upper part of the side return.

When I completed this painting, I contemplated not posting it as it had political implication. Of course it was about Standing Rock, which became a rallying point for both environmental and indigenous civil-rights advocates as thousands of people, many of them Native Americans, gathered on the Standing Rock reservation to protest and physically obstruct the Keystone pipeline’s construction.

While the pipeline did not cross Sioux Reservation land, it was built just north of those lands through what had been Sioux Territory by treaty, land that was later taken from them. By current treaty, the Standing Rock Sioux are assured certain hunting and fishing rights. Many of the tribe’s members rely on fish or hunted game from that area as a steady food source.

The Keystone pipeline is owned by TransCanada, an energy company based in Calgary. It transports oil from western Canada’s tar sands region to refineries on the Texas Gulf Coast, where the oil is refined and processed into usable gasoline and diesel. Tar sands produce some of the lowest grade, highest carbon, most polluting oil in the world. A 2014 report co-authored by Lazarus found Keystone XL would boost global emissions of carbon dioxide by up tp 100 million tons per year.

A focus of the Standing Rock protest was about the impact of oil spills from this pipeline (owned by a Canadian company that has a notorious reputation for spills and leaks) and what those spills would do to the water aquifer, water of the river, the fish that live in it, and the wildlife that are sustained by it. All those things are critical to the people of the Sioux tribe, and others living in the area.

And in an even larger sense, this protest was about the rights and safety of the people often being “Trumped”, if I may say so, by corporate interest and power. As these pipelines traverse the breadth of our country, through our Heartland, our bread belt, many of us are also at risk, not just the Sioux Nation.

On 11-16-17, TransCanada reported that 210,000 of oil had spilled from the Keystone Pipeline near Amherst, South Dakota. It was the third major spill in the region for the pipeline, which began operations in 2010… As of 11-21, Keystone XL oil pipeline will go ahead despite this last spill.

#keystonepipeline #keystonexl #environmental degradation #oilspill #waterislife

Posted in Figurative, Landscape, Native American

AWA Show “Under a Vast Sky”

I’m a little late in posting images from the reception of AWA’s opening reception for the AWA “Under a Vast Sky” show at the Tucson Desert Art Museum. Nevertheless, the show looks great and hangs through December 3rd. If you’re in the area I hope you’ll get by to see it.

#AWATucson #Tucsondesertartmuseum #oilpainting #figurativepainting

Posted in American Women Artists National Juried Competition, Figurative, Native American, Tucson Desert Art Museum

Montana Artists’ Trip to Nantucket

I had posted on my general FB page some pics from our wonderful trip to NY and Nantucket. Here, I thought I’d get into the meat of it. Well, sort of. I think we all spent more time “enjoying the trip” than working, but still we had a great time! Below are pics of the artists et. al that descended on Tim and Annie in Nantucket – L to R: Tim Thom, Annie Thom, Tom English, Shirle Wempner, Frank Hagel, Sara Walsh, Tom Gilleon, myself and Steve Oiestad.

We all took watercolors as it’s such a hassle to fly with oil paints and all that equipment, even though WC is not our medium, any of us! Still, in testimony to the fact that I really did paint there, are attached two WC – “Annie’s Tomatoes” and “Low Tide”, both 9×12. They stayed on Nantucket, as they should have!

Posted in Uncategorized

Laurie Stevens

Recent Accolades

2018 – I was chosen to grace the “Classic Moments” page of the July / August 2018 Fine Art Connoisseur magazine. This is the last page of the magazine and a full page spread! My painting, “The Artist’s Wife”, 32×24, was my response to a painting of the same title by William Merit Chase, done in 1892. – https://fineartconnoisseur.com/category/magazine/current-issue/

2018 – “An Early Breakfast” was juried into the NOAPS 2018 Best of America Small Painting National Exhibition at Richland Fine Art in Nashville, TN. April 30 – May 26, 2018 – http://www.noaps.org/copy-of-best-of-america-prospectus

2018 – Portrait Society of America – 6×9: Limited Size, Unlimited Talent Mystery Art Sale, April 20 at the Art of the Portrait Annual Conference in Washington, D.C. – http://www.portraitsociety.org/

2017 – C.M. Russell Museum Auction “The Russell” – http://www.cmrauction.com/

2017 – Dinghies and U-Turn were juried into the National Oil & Acrylic Painters Society Holiday Small Works Show in Parkville, MO. – https://www.noaps.org/holiday-small-works-show

2017 – Portrait Society of American Members Only Competition Finalist in the “Outside the Box” Figurative Competition – for “Mourning Dove” 36×24 – https://www.portraitsociety.org/moc-2017-winners

2017 – Two pieces juried into the National Oil & Acrylic Painters Society Holiday Small Works Show – https://www.noaps.org/holiday-small-works-show

2016 – Portrait Society of America “Members Only Show” – I placed in the Landscape Division with my painting “Milk and Honey”! See the images on the slider. – http://www.portraitsociety.org/moc-2016-winners

2014 – Spring, 2015 – Juried into the Spring American Women Artists Online Juried Show. http://www.americanwomenartists.org/news/html/t_oli_2014_fall.html

2014 – Juried into the Fall NOAPS International Online Showcase. http://www.noaps.org/html/t_oli_2014_fall.html

2014 – Juried into the American Women Artists National Competition & Exhibition, Orleans, MA.www.americanwomenartists.org

2014 – Chosen to be an “Art in Action” Artist for the Russell Auction event at Meadowlark Country Club, Great Falls, MT., Mar. 21www.cmrussell.org/the-russell

2013 – Juried into the American Women Artists National Competition & Exhibition, Fredericksburg, TXwww.americanwomenartists.org

2012 – A piece of mine, “Motel Galata” was selected to be part of the permanent Modern West Collection at the Booth Western Art Museum in Cartersville, GA! www.boothmuseum.org/

2012 – Top 100 Paint the Parks National Competition (2 pieces) www.paintamerica.org

2011 People’s Choice Award at the Clymer Museum of Art Exhibit & Auction www.clymermuseum.com

2008 C.M. Russell Museum CEO Award – given to one Russell Auction participant www.cmrussell.org

2008 – 2010 Paint America Top 100 www.paintamerica.org

About Me

Stevens’ work reflects the small daily wonders of the land she calls home: the first crocus of spring, the resilient beauty of the plains, or that special sense of hope and possibility that is only found in the West. Stevens is also interested in regional history, particularly the interactions of Native Americans and white settlers during the Reservation Period. Many of her paintings are an exploration of this dynamic and a meditation on the “taming of the West.” From Billings, MT, Laurie began her career as an artist in Los Angeles where she spent 12 years working for the entertainment industry as a scenic artist and muralist for television, theme park, theater and movie productions. She spent time as a member of the Walt Disney Imagineering team, lending her talents to many Disney theme park projects worldwide. She also did some set design, illustration, and matte paintings for several animated childrens’ movies. In the 1980’s Stevens returned to her native Montana, first to the mountains near the Scapegoat Wilderness and then to the ranch near Great Falls where she currently lives and works.

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